Guitar Suite in E Major, BWV 1006a: I. Prélude
Julian Bream’s Luminous Reading of Bach’s E Major Prélude
Guitar Suite in E Major, BWV 1006a: I. Prélude is one of Bach’s most recognizable solo movements, known for its continuous, sweeping arpeggios. Transcribed by Bream from the original lute source, the piece demands unrelenting technical fluidity and a near-perfect sustain from the classical guitar. Bream approaches the architecture of the Prélude not just as a torrent of notes, but as a meticulously layered tapestry. He uses subtle dynamic shaping and maintains a steady, propulsive rhythm, ensuring the listener hears the underlying melodic lines that move through the arpeggiated figures rather than just the dizzying speed of the performance. This precision elevates the music from a technical exercise to an expansive opening statement.
This studio recording, captured in the acoustically rich setting of Forde Abbey in 1992, perfectly preserves the luminous quality of Bream’s tone. His interpretation is one of lyrical grace and profound clarity, allowing the E Major key—one of the brightest and most open keys on the guitar—to resonate fully across the soundstage. Unlike the more variable nature of a live recording, the studio environment isolates every delicate nuance, from the subtle shifts in register to the clean execution of every high-speed sequence. It remains a benchmark recording, celebrated for its pristine purity of sound and Bream’s masterful control over the music’s majestic sweep.
Performance Details
| Piece | Guitar Suite in E Major, BWV 1006a: I. Prélude |
|---|---|
| Guitarist | Julian Bream |
| Composer | Johann Sebastian Bach |
| Work Title | Partita for Lute in E major |
| Catalogue No. | BWV 1006a |
| Album/Release | J.S. Bach: Guitar Recital |
| Recording Studio | Forde Abbey, Dorset |
| Record Label | EMI Classics |
| Location | Dorset, UK |
| Date | October - November 1992 |