Look to the Sky
🎵 Genre: Jazz | 🎤 Recording: Studio
Bossa Nova Subtlety and Tone
Emily Remler’s studio recording of Antônio Carlos Jobim’s classic “Look To The Sky” (Olha pro Céu) from her debut album, Firefly (1981), is a masterclass in subtlety and swing. This piece is a gentle, sophisticated bossa nova standard that immediately showcased her versatility beyond the traditional blues and bebop for which she was known. The track benefits immensely from the stellar rhythm section—including the legendary Hank Jones on piano—which creates a relaxed, yet precise groove that perfectly complements the tune’s contemplative melody.
The defining element of this performance is Remler’s approach to bossa nova rhythm and melody. Unlike the fiery intensity of her solos found on albums like Transitions, her playing here is incredibly restrained and tasteful, focusing on clean articulation and harmonic richness. She utilizes the warm, clean tone of her archtop guitar to deliver Jobim’s melody with a light touch.
Remler then launches into a beautifully constructed solo that respects the Brazilian idiom while integrating her sophisticated jazz sensibilities. This expressive control aligns her closely with the melodic and harmonic grace of bossa nova masters like Charlie Byrd.
The track stands in contrast to her more aggressive, faster-paced work, such as “Hot House,” demonstrating her range within the jazz genre. This entire recording is an exemplary display of bop-era artistry that solidified her place among the jazz guitar elite upon her debut, matching the elegant delivery of her own melodic compositions like “Blues for Herb.”
Recording Details
| Song Title | Look To The Sky (Olha pro Céu) |
|---|---|
| Guitarist | Emily Remler |
| Band | Emily Remler Quartet |
| Lineup | Emily Remler (Electric Guitar), Hank Jones (Piano), Bob Maize (Bass), Jake Hanna (Drums) |
| Event | Studio Recording |
| Album/Release | Firefly |
| Recording Studio | Coast Recorders |
| Record Label | Concord Jazz |
| Location | San Francisco, California |
| Date | October 31, 1981 |
💬 What defines this delicate performance?
“Look to the Sky” showcases Remler’s refined side. Which element is more impressive in this bossa nova track: her ability to sustain the clean, warm archtop tone and legato phrasing, or the sophistication of her harmonic choices during the solo that integrate jazz and Brazilian styles? Drop your thoughts below and join the conversation.